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Jongo Lê(49' 56") Label: daqui: Les nuits atypiques de Langon, France,1999 All tracks composed and performed by Celso Machado Jongo Lê may be purchased through harmoniamundi.com/ Jongo Lê was nominated for the Canadian Juno Awards in the best global recording category in 2000. 1. Feliz, Felicidade 4' 54'' 2. Jongo Lê 3' 22'' The lyrics have been extracted from O Jongo, a research study of the folklore of the Taubaté region (state of São Paulo), carried out by Maria de Lourdes Borges Ribeiro. Jongo is a dance, drumming and chanting ritual of African origin (now widely practised by Brazilians of all origins), where the Jongueiros take it in turn to challenge each other in the art of ponto; a kind of ironic and humourous rhythmic improvised chant. The Jongo is often held during festivals for saints as a way of paying for favours received and is also commonly held on May 13, the anniversary of the emancipation of slavery (1888). 3. Despedida 5' 15'' The lyrics of this canto de chegança have been extracted from a research study of the folklore of the Lagarto region (state of Sergipe), carried out by Eunice Tavares Dantas, Angélica Maria Vieira de Araújo, and Paulo Ferreira. Chegança is the name given to a Portuguese dance from the 18th century which celebrates the maritime life. Dawn is breaking in the east 4. Odé Oxóssi 5' 04'' The title of this Candomblé (Afro-Brazilian religion practised by the Jeje-Nagô of Bahia) chant refers to Odé Oxóssi, orixá (saint) of the hunt and of the forest. Celso uses a combination of kanjira (south Indian tambourine) and Moroccan sintir percussive techniques on the guitar body while simultaneously playing a very complex rhythm and melody. 5. Origem 4' 33'' A lament: Those who are born Caetés, remain Caetés.
6. Ladeira do Quebra-coco 3' 52'' This Coco is completely crazy. A pleasurable ramble in the rhythmic style of the nordeste emboladas. 7. Baião Fulêjo 2' 08'' 8. Frêvo até na China 3' 06'' 9. Axé Gnawa 4' 12'' 10. Fantasia Brasileira 4' 44'' Celso imitates the sound of a batucada (samba percussion group) by gradually loosening the top string while playing and finally pulling it down across the others to turn the guitar into a percussive instrument. This idea came to him while changing a guitar string. 11. Senzala 3' 03'' This chant is what Celso imagines the slaves may once have sung in the Senzala (slave house on a plantation). He dedicates this song to Congolese master musician and griot (story teller), Albert Nkibi, who is the maker of the nconfi played here. Celso met him and purchased the nconfi at the 1997 Nuits Atypiques Festival in Langon, France. 12. Sol da manhã 5' 43''
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